If this movie had come out a decade earlier I might have seen it before now. I went to a lot of horror movies in the 80s, which was my heyday for theater-going. Saying that isn’t to say I would have liked it, though. I may have consumed much, but even back then I didn’t just eat it up. Most of it sucked, and I knew it. The Boogens, My Bloody Valentine, Final Exam — Leprechaun would have fit right in. So why now?
Two words: Jennifer Aniston. In her first starring role. That these words now have a magic more powerful than a leprechaun’s is obvious. What was originally a poster showing the little gremlin peeking through a doorway is now a large photo of Aniston, with the little monster tucked away in a corner or shown, in silhouette, in the foreground. Even the tagline has changed: it used to say, “Your luck just ran out”; now it says, “Her luck just ran out.”
Don’t get me wrong. I’m not wild about Aniston. But I do miss Friends. And this movie was made the year before Friends started, so we’re talking about a very young and pretty Jennifer Aniston. I’ve seen movies with much less inducement, believe me.
Is she worth it? I mean, does she make the movie watchable? I thought for awhile she might. When we first see her, she’s wearing a short dress, and there’s a lovely shot of her walking up a flight of stairs — with the camera, of course, at ground level. Before long, however, she’s changed into an awful pair of shorts and, well, the magic was gone. Permanently.
Leprechaun made money, though, quite a lot of it. I suppose Mark Jones, who both wrote and directed the film, deserves kudos for coming up with an original monster. But I was never one of those who believed that the monster was the star. I stopped watching Hellraiser because it became all about Pinhead (or that’s my sense of it, anyway). I was disappointed (and a little disgusted) that Hannibal Lecter became the focus of the sequel to Silence of the Lambs. Even when I continued to watch — I saw Friday the 13th up to about #7 and I’ve seen four or five of the Halloween films — it wasn’t because of the monster, it was because of the scenario. That my enjoyment even then generally continued to decline is probably because I was missing the point: I was supposed to root for the bad guy. And I didn’t. So, yeah, evil leprechaun, that’s different. But who cares?
This movie isn’t any dumber than others of its ilk, but it isn’t any smarter, either. It’s about a leprechaun who wants to retrieve the gold that was stolen from him and who will kill anyone standing in his way. I guess it’s too much to ask that Jones do something clever with that idea, to do for leprechauns what Stephen Chiodo did for clowns in Killer Klowns From Outer Space. Too much — because what is there really to say about leprechauns? What are the jokes? I don’t know, and Jones clearly doesn’t either. In fact, he lifts a few from clowns: we see the sprite riding a tricycle and a toy motor car. It’s kind of pathetic.
Ah, but then, so am I. Why do I still think tilting my head will make the camera go lower?