Lucy (2014), directed by Luc Besson

Lucy_(2014_film)_poster♦♦

Based on an idea that amuses neuroscientists — that human beings use only ten percent of their brain — this violent fantasy follows Scarlett Johansson as Lucy, a student forced by a Korean drug lord (Choi Min-sik) to carry a new narcotic in her abdomen that, when it is accidentally released into her system, begins to awaken the supposedly dormant 90% of her gray matter.  Along with her ever-increasing powers of the mind comes the knowledge that she will soon die if she doesn’t get more of the drug, a mission the drug lord is determined to thwart.  Besson includes a few funny metaphorical asides by way of cuts to the animal kingdom, which, along with the gun-play and car crashes, are meant to divert us from the absurdity of the characters and story.  Morgan Freeman, for instance, plays a scientist whose childish daydreams of expanded brain-use are treated as respectable scientific theories; meanwhile, Lucy’s incredible new intelligence includes a convenient black hole in the area of her battle with the drug lord.  Lucy’s self-absorption is understandable, but her amoral anarchism is not.  For mavens of mayhem only.

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